221A Collection 2005-18

A set of tableware purchased by Vincent Tao from Hon's Wun-Yun House before it closed in June 2017. The set includes 3 powder-blue plastic serving plates, a small pink plastic sauce dish, and a Yanjing brand beer glass.

Description

Since 2005, 221A has collected a body of critical texts and artists books that have shaped the organization’s public programming and advanced its original mandate to examine the role of design and art in the production of contemporary society.

Start year

2005

Contributors

A.E. Benenson
Alison Yip
Antoni Oko
Barry Doupé
Bopha Chhay
Brady Cranfield
Brian McBay
Dan Starling
Hyung-min Yoon
Jade Niklai
Jamie Hilder
Jesse McKee
Joji Fukushima
Kari Cwynar
Kristen Chappa
Michelle Fu
Nadia Belerique
Rebecca Bayer
Richard Ibghy & Marilou Lemmens
Ron Tran
Russell Baker
Sarah Todd
Sasha Bondartchouk
Steffanie Ling
Sungpil Yoon
Sydney Hart
Tom Sloan
Vincent Tao

Call No.	Status	Collection	Name	Produced by	Material	Selected by
221A 001 REF	Reference	221A Collection 2005-18	Poster: 221A Envisions a Pluralistic Society Where People Have the Means to Make and Access Culture	221A, design by Jaz Halloran	Print	221A
221A 002 REF	Reference	221A Collection 2005-18	221A's 2015-2020 Strategic Plan	Brian McBay, 221A Artist Run Centre Society	Print	221A
221A 003 REF	Reference	221A Collection 2005-18	Implementation Timeframe	221A Artist Run Centre Society	Print	221A
221A 004 REF	Reference	221A Collection 2005-18	Priorities	221A Artist Run Centre Society	Print	221A
221A 005	Available	221A Collection 2005-18	SOCS 317 F001 Ergonomics II Usability Evaluation in Consumer Product Design	A Arnold	Print	Brian McBay
221A 006	Available	221A Collection 2005-18	Information for Artists: A practical guide for visual artists	Judith Stephens-Wells, Sarah Yates	Print	Brian McBay
221A 007	Available	221A Collection 2005-18	Building Construction Illustrated, Fourth edition	Francis D.K. Ching	Print	Brian McBay
221A 008	Available	221A Collection 2005-18	The Complete Guide to Nonprofit Management, Second Edition	Smith, Bucklin, and Associates, Inc.	Print	Brian McBay
221A 009	Available	221A Collection 2005-18	Artists in Offices	Judith Adler	Print	Jesse McKee
221A 010	Available	221A Collection 2005-18	DTES Local Area Plan	City of Vancouver	Print	Brian McBay
221A 011	Available	221A Collection 2005-18	Building United Judgement: A Handbook for Consensus Decision Making	Center for Conflict Resolution	Print	Brian McBay
221A 012	Available	221A Collection 2005-18	City of Vancouver Cultural Facilities Priorities Plan, Final Report	City of Vancouver	Print	Brian McBay
221A 013	Available	221A Collection 2005-18	The Practice of Everyday Life	Michel de Certeau	Print	Sarah Todd
221A 014	Available	221A Collection 2005-18	Feminists Theorize the Political	Judith Butler, Joan W. Scott	Print	Brian McBay
221A 015	Available	221A Collection 2005-18	The Communist Hypothesis	Alain Badiou	Print	221A
221A 016	Available	221A Collection 2005-18	AHIS 420 Glossary of Terms Feminism and Social Change	Nancy Bleck	Print	Brian McBay
221A 017	Available	221A Collection 2005-18	Electrical Code Simplified House Wiring Guide	P.S. Knight	Print	Brian McBay
221A 018	Available	221A Collection 2005-18	Industrial Hose Catalogue 2009	Green Line	Print	Brian McBay
221A 019	Available	221A Collection 2005-18	Sphinx Head	Jesse Russell, Ronald Cohn	Print	AE Benenson, Kristen Chappa
221A 020	Available	221A Collection 2005-18	Absolute Museum & Gallery Products	Absolute	Print	221A
221A 021	Available	221A Collection 2005-18	The Gendered Circuit: Reading The Arcane of Reproduction	Maya Gonzales	Print	Vincent Tao
221A 022	Available	221A Collection 2005-18	Institution Building	Nikolaus Hirsch, Philipp Misselwitz, Markus Miessen, Matthias Görlich	Print	Steffanie Ling
221A 023	Available	221A Collection 2005-18	The Conspiracy of Art	Jean Baudrillard	Print	Brian McBay
221A 024	Available	221A Collection 2005-18	Bad News Days: Art, Criticism, Emergency	Hal Foster	Print	Brian McBay
221A 025	Available	221A Collection 2005-18	Spaces of Global Capitalism: Towards a Theory of Uneven Geographical Development	David Harvey	Print	Brian McBay
221A 026	Available	221A Collection 2005-18	Rebel Cities: From the Right to the City to the Urban Revolution	David Harvey	Print	Brian McBay
221A 027	Checked out	221A Collection 2005-18	The Art-Architecture Complex	Hal Foster	Print	Brian McBay
221A 028	Available	221A Collection 2005-18	After Modern Art 1945-2000	David Hopkins	Print	Michelle Fu
221A 029	Available	221A Collection 2005-18	Transpositions	Rosi Braidotti	Print	Brian McBay
221A 030	Available	221A Collection 2005-18	Design and Crime (And Other Diatribes)	Hal Foster	Print	Brian McBay
221A 031	Available	221A Collection 2005-18	Semiotics: The Basics	Daniel Chandler	Print	Brian McBay
221A 032	Available	221A Collection 2005-18	Surrogacy	Jesse Russell, Ronald Cohn	Print	AE Benenson, Kristen Chappa
221A 033	Available	221A Collection 2005-18	A Companion to Marx's Capital	David Harvey	Print	221A
221A 034	Available	221A Collection 2005-18	A Companion to Marx's Capital Volume 2	David Harvey	Print	221A
221A 035	Available	221A Collection 2005-18	The Story of Art	E.H. Gombrich	Print	Michelle Fu
221A 036	Available	221A Collection 2005-18	Logic: A Very Short Introduction	Graham Priest	Print	Brian McBay
221A 037	Available	221A Collection 2005-18	Poststructuralism: A Very Short Introduction	Catherine Belsey	Print	Brian McBay
221A 038	Available	221A Collection 2005-18	On Meaning-Making	Mieke Bal	Print	Brian McBay
221A 039	Available	221A Collection 2005-18	Marx Through Post-Structuralism	Lyotard, Derrida, Foucault, Deleuze	Print	Brian McBay
221A 040	Available	221A Collection 2005-18	Anti-Oedipus: Capitalism and Schizophrenia	Gilles Deleuze and Félix Guattari	Print	Brian McBay
221A 041	Available	221A Collection 2005-18	A Thousand Plateaus: Capitalism and Schizophrenia	Gilles Deleuze and Félix Guattari	Print	Brian McBay
221A 042	Available	221A Collection 2005-18	Vancouver Art and Artists 1931-1983	The Vancouver Art Gallery	Print	Brian McBay
221A 045	Available	221A Collection 2005-18	Automatism (case law)	Jesse Russell, Ronald Cohn	Print	AE Benenson, Kristen Chappa
221A 046	Available	221A Collection 2005-18	Institutions by Artists: Volume 1	J. Khonsary, K.L. Podesva, Fillip Editions, Pacific Association of Artist Run Centres	Print	Brian McBay
221A 047	Available	221A Collection 2005-18	Institutional Critique	Alexander Alberro, Blake Stimson	Print	Brian McBay
221A 048	Available	221A Collection 2005-18	Artists , Critics, Context: Readings in and Around American Art Since 1945	Paul F. Fabozzi	Print	Kyle Duske
221A 049	Available	221A Collection 2005-18	Cultural Theory: The Key Concepts	Andrew Edgar, Peter Sedgwick	Print	Brian McBay
221A 050	Available	221A Collection 2005-18	Introducing Critical Theory	Stuart Sim, Borin Van Loon	Print	Brian McBay
221A 051	Available	221A Collection 2005-18	Scapegoat Issue 00	Adrian Blackwell, Etienne Turpin	Print	Brian McBay
221A 052	Available	221A Collection 2005-18	Scapegoat Issue 01 Service	Jane Hutton, Etienne Turpin	Print	Brian McBay
221A 053	Available	221A Collection 2005-18	Scapegoat Issue 02 Materialism	Adam Bobbette, Jane Hutton	Print	Brian McBay
221A 054	Available	221A Collection 2005-18	Scapegoat Issue 03 Realism	Adrian Blackwell, Adam Bobbette	Print	Brian McBay
221A 055	Available	221A Collection 2005-18	Scapegoat Issue 06 Mexico DF/NAFTA	Irmgard Emmelhainz, Jane Hutton, Marcin Kedzior	Print	Brian McBay
221A 056	Available	221A Collection 2005-18	livedspace issue 0	Bopha Chhay, Sydney Hart	Print	Bopha Chhay
221A 057	Available	221A Collection 2005-18	livedspace issue 1	Bopha Chhay, Sydney Hart	Print	Bopha Chhay
221A 058	Available	221A Collection 2005-18	Cabinet Issue 27 Mountains	Sina Najafi, Jeffrey Kastner	Print	Bopha Chhay
221A 059	Available	221A Collection 2005-18	The Truth of Art, from e-flux Journal #71	Boris Groys	Print	Brian McBay
221A 060	Available	221A Collection 2005-18	Constitution Act, 1982 Canadian Charter of Rights and Freedoms	The Government of Canada	Print	Brian McBay
221A 061	Available	221A Collection 2005-18	Spaces of Observation	Richard Ibghy, Marilou Lemmens	Print	Mandy Ginson
221A 062	Available	221A Collection 2005-18	Tools that Measure the Intensity of Passionate Interests	Richard Ibghy, Marilou Lemmens	Print	Richard Ibghy, Marilou Lemmens
221A 063	Available	221A Collection 2005-18	Pink Chanel suit of Jacqueline Bouvier Kennedy	Jesse Russell, Ronald Cohn	Print	AE Benenson, Kristen Chappa
221A 064	Available	221A Collection 2005-18	Watts Riots	Jesse Russell, Ronald Cohn	Print	AE Benenson, Kristen Chappa
221A 065	Available	221A Collection 2005-18	Making Do No. 1 the Translation Issue	Alexandre Coco, Andrea Francke, Mary Ikoniadou, Asli Kalinoglu	Print	Hyung-min Yoon
221A 066	Available	221A Collection 2005-18	Lignes Courbes 24 (1-8)	Valérian Goalec	Print	Sungpil Yoon
221A 067	Available	221A Collection 2005-18	Jackson Hole (Piracy Papers#1)	Michael Eddy, Grandpa Eddy	Print	Hyung-min Yoon
221A 068	Available	221A Collection 2005-18	The Future of the Image	Jacques Rancière	Print	Brian McBay
221A 069	Available	221A Collection 2005-18	Hertzian Tales: Electronic products, aesthetic experience, and critical design	Anthony Dunne	Print	Brian McBay
221A 070	Available	221A Collection 2005-18	Designing Mindful Interaction: The Category of Performative Object	Kristina Niedderer	Print	Brian McBay
221A 071	Available	221A Collection 2005-18	Do We Shape Technologies, or do They Shape Us?	Jean-Pierre Dupuy	Print	Brian McBay
221A 072	Available	221A Collection 2005-18	Communication and Imperialism	James Tully	Print	Brian McBay
221A 073	Available	221A Collection 2005-18	The Question Concerning Technology - Die Frage Nach der Technik	Martin Heidegger	Print	Brian McBay
221A 074	Available	221A Collection 2005-18	Industrial Design Insight: Seeing Technology in the Widest Sense	Barry Wylant	Print	Brian McBay
221A 075	Available	221A Collection 2005-18	An Aesthesia of Networks Conjunctive Experience in Art and Technology	Anna Munster	Print	Brian McBay
221A 076	Available	221A Collection 2005-18	The Postmodern Condition: A Report on Knowledge	Jean-François Lyotard	Print	Brian McBay
221A 077	Available	221A Collection 2005-18	Italy: The New Domestic Landscape Achievements and Problems of Italian Design	Emilio Ambasz	Print	Russell Baker
221A 078	Available	221A Collection 2005-18	The Post-Modern Object	Michael Collins, Peter Fuller, Volker Fischer, Charles Jencks, Hans Hollein	Print	Brian McBay
221A 079	Available	221A Collection 2005-18	SITE: Architecture as Art	Pierre Restany and Bruno Zevi	Print	Jesse McKee
221A 080	Available	221A Collection 2005-18	Casco Issues XII: Generous Structures	Binna Choi, Axel Wieder	Print	Brian McBay
221A 081	Available	221A Collection 2005-18	Flatland: A Romance of Many Dimensions	Edwin A. Abbott	Print	Michelle Fu
221A 082	Available	221A Collection 2005-18	Flatland: A Romance of Many Dimensions	Edwin A. Abbott	Print	Michelle Fu
221A 083	Available	221A Collection 2005-18	Some Vancouver Korean Churches	Julia Dahee Hong	Print	Brian McBay
221A 084	Available	221A Collection 2005-18	Real Estate Opportunities	Eric Doeringer	Print	Brian McBay
221A 085	Available	221A Collection 2005-18	Undoing Property?	Lewandowska, Ptak	Print	Brian McBay
221A 086	Available	221A Collection 2005-18	Toward an Architecture of Enjoyment	Henri Lefebvre	Print	Brian McBay
221A 087	Available	221A Collection 2005-18	Rhythmanalysis: Space, Time and Everyday Life	Henri Lefebvre	Print	Vincent Tao
221A 088	Available	221A Collection 2005-18	Communal Luxury: The Political Imaginary of the Paris Commune	Kristin Ross	Print	Brian McBay
221A 089	Available	221A Collection 2005-18	Militant and Particular: A Geographer's Response to Flexible Accumulation	David Harvey	Print	Brian McBay
221A 090	Available	221A Collection 2005-18	Too Close to See: Notes on Friendship, A Conversation with Johan Frederik Hartle	Céline Condorelli	Print	Michelle Fu, Vincent Tao
221A 091	Available	221A Collection 2005-18	One Place After Another: Site-Specific Art and Locational Identity	Miwon Kwon	Print	Brian McBay
221A 092	Available	221A Collection 2005-18	Vancouver Magazine September 2015, The Real Estate Issue	John Burns	Print	Brian McBay
221A 093	Available	221A Collection 2005-18	Canadian Art, Winter 2016	Brian McBay	Print	Brian McBay
221A 094	Available	221A Collection 2005-18	Architecture on Display: On the History of the Venice Biennale of Architecture	Aaron Levy, William Menking	Print	221A
221A 095	Available	221A Collection 2005-18	Land and Language	Nuuk Posse	Cassette tape	Jesse McKee
221A 096	Available	221A Collection 2005-18	Vuogádatheahtedilli ja hutkáivuoht Álggahus ságastallamii hutkáivuohta	Nils Oskal	Print	Jesse McKee
221A 097	Available	221A Collection 2005-18	In a Manner of Reading Design	Katja Gretzinger	Print	Brian McBay
221A 098	Available	221A Collection 2005-18	Design Issues Forms of Inquiry Volume XXVII Issue 1	Bruce Brown, Richard Buchanan, Carl DiSalvo, Dennis P. Doordan, Kipum Lee, Victor Margolin, and Ramia Mazé	Print	Brian McBay
221A 099	Available	221A Collection 2005-18	Design is Invisible: Planning, Education, and Society	Lucius Burckhardt, Silvan Blumenthal, Martin Schmitz	Print	Vincent Tao
221A 100	Available	221A Collection 2005-18	Typopass	Judit Angel, Dóra Hegyi, Zsuzsa László	Print	Brian McBay, Michelle Fu
221A 101	Available	221A Collection 2005-18	Art Always Has its Consequences	Produced in collaboration with Subversive Film Festival	Print	Brian McBay, Michelle Fu
221A 102	Available	221A Collection 2005-18	Uncorporate Identity	Metahaven	Print	Brian McBay
221A 103	Available	221A Collection 2005-18	Extrastatecraft: The Power of Infrastructure Space	Keller Easterling	Print	Sydney Hart
221A 104	Available	221A Collection 2005-18	In the Midst of Things	Nigel Prince, Gavin Wade	Print	Brian McBay
221A 105	Available	221A Collection 2005-18	The Anti-Aesthetic: Essays on Postmodern Culture	Hal Foster	Print	Brian McBay
221A 106	Available	221A Collection 2005-18	Hippie Modernism: The Struggle for Utopia	Andrew Blauvelt	Print	Jesse McKee
221A 107	Available	221A Collection 2005-18	Fuse Magazine Do Less, Winter 2013-14	Gina Badger, Mirjam Linschooten, Sameer Farooq, Chandra Bulucon, Sara Rozenberg	Print	Brian McBay
221A 108	Available	221A Collection 2005-18	Design and the Elastic Mind	Paola Antonelli	Print	Brian McBay, Michelle Fu
221A 109	Available	221A Collection 2005-18	The System of Objects	Jean Baudrillard	Print	Brian McBay
221A 110	Available	221A Collection 2005-18	State Space World	Henri Lefebvre	Print	Brian McBay
221A 111	Available	221A Collection 2005-18	The Situationists and the City	Tom McDonough	Print	Brian McBay
221A 112	Available	221A Collection 2005-18	The Situationist City	Simon Sadler	Print	Brian McBay
221A 113	Available	221A Collection 2005-18	Colouring Under the Vancouver Viaducts	Rebecca Bayer	Print	Rebecca Bayer
221A 114	Available	221A Collection 2005-18	Modern Architecture	Kenneth Frampton	Print	Brian McBay
221A 115	Available	221A Collection 2005-18	Design and Art. Documents of Contemporary Art	Alex Coles	Print	Brian McBay
221A 116	Available	221A Collection 2005-18	AC\|DC Contemporary Art Contemporary Design	Jean-Pierre Greff	Print	Brian McBay
221A 117	Available	221A Collection 2005-18	Under Construction: Perspectives on Institutional Practice	Vanessa Joan Müller, Nicolaus Schafhausen	Print	Sarah Todd
221A 118	Available	221A Collection 2005-18	The Part of No Part	Dan Starling	Print	Dan Starling
221A 119	Checked out	221A Collection 2005-18	Artificial Hells: Participatory Art and the Politics of Spectatorship	Claire Bishop	Print	Brian McBay
221A 120	Available	221A Collection 2005-18	The Colours of Citizen Arar	Garry Neill Kennedy	Print	Jesse McKee
221A 121	Available	221A Collection 2005-18	It Takes Time	Ron Noganosh	Print	Jesse McKee
221A 122	Available	221A Collection 2005-18	Ecocore Issue #4 The G( )D Issue	Alessandro Bava	Print	Jesse McKee
221A 123	Available	221A Collection 2005-18	Momentarily: Learning from Mega-Events	Bik Van der Pol, Alissa Firth-Eagland and Urban Subjects	Print	Brian McBay
221A 124	Available	221A Collection 2005-18	After the Quake	Haruki Murakami	Print	Brian McBay
221A 125	Available	221A Collection 2005-18	Ecocore Issue #1 e-den Issue	Alessandro Bava, Amita Jo	Print	Jesse McKee
221A 126	Available	221A Collection 2005-18	Éléments, structure horizontale - 01, Elements, horizontal structure -01	Valérian Goalec	Print	Sungpil Yoon
221A 127	Available	221A Collection 2005-18	Description for Other Things	Ryu Hankil	Print/CD	Hyung-min Yoon
221A 128	Available	221A Collection 2005-18	The Colors that Combine to Make White are Important	Barry Doupé	DVD	Vincent Tao
221A 129	Available	221A Collection 2005-18	Life and People	Barry Doupé	DVD	Vincent Tao
221A 130	Available	221A Collection 2005-18	Ponytail	Barry Doupé	DVD	Vincent Tao
221A 131	Available	221A Collection 2005-18	Bartleby Review Issues 21-40	Steffanie Ling	Print	Steffanie Ling
221A 132	Available	221A Collection 2005-18	I got an A+ in Art and You can too	Tonik Wojtyra	Print	Antoni Oko
221A 133	Available	221A Collection 2005-18	Polyamorous Love Song	Jacob Wren	Print	Michelle Fu
221A 134	Available	221A Collection 2005-18	Bahuli Arcadia & Other Stories	Alte Povestiri (Simona and Ramona?)	Print	Jesse McKee
221A 135	Available	221A Collection 2005-18	Memoirs of a Hypnotist: 100 Days	Marcos Lutyens	Print	Kari Cwynar
221A 136	Available	221A Collection 2005-18	Otherings	Patrick Cruz	Print	Patrick Cruz
221A 137	Available	221A Collection 2005-18	Mime Radio	Benjamin Seror	Print	Jesse McKee
221A 138	Checked out	221A Collection 2005-18	State of Insecurity: Government of the Precarious	Isabell Lorey	Print	Brian McBay
221A 139	Available	221A Collection 2005-18	Towards a New Architecture	Le Corbusier	Print	Brian McBay
221A 140	Available	221A Collection 2005-18	The Uprising: On Poetry and Finance	Franco "Bifo" Berardi	Print	Brady Cranfield, Jamie Hilder
221A 141	Available	221A Collection 2005-18	Due to Injuries...	Brady Cranfield, Jamie Hilder	Print	Brady Cranfield, Jamie Hilder
221A 142 REF	Reference	221A Collection 2005-18	Chicago Mercantile Exchange	221A	Print	Brady Cranfield, Jamie Hilder
221A 143	Available	221A Collection 2005-18	Debt: The First 5000 Years	David Graeber	Print	Vincent Tao
221A 144 REF	Reference	221A Collection 2005-18	Halving	Joji Fukushima	Print	Joji Fukushima
221A 145	Available	221A Collection 2005-18	Blood Mountain Foundation	Blood Mountain Foundation	Print	Jade Niklai, Tom Sloan
221A 146	Available	221A Collection 2005-18	A Kiss, A Hat, A Stamp	Diango Hernández	Print	Jade Niklai, Tom Sloan
221A 147	Available	221A Collection 2005-18	Gone to Croatan	Patrick Goddard	Print	Jesse McKee
221A 148	Available	221A Collection 2005-18	Operation Paperclip	Patrick Goddard	Print	Jesse McKee
221A 149	Available	221A Collection 2005-18	North & West	Jeff Wall	Print	Jesse McKee
221A 150	Available	221A Collection 2005-18	Symbols, Signs & Signets: A Pictorial Treasury with over 1350 Illustrations	Ernst Lehner	Print	221A
221A 151	Available	221A Collection 2005-18	Great Architecture of the World	John Julius Norwich	Print	221A
221A 152	Available	221A Collection 2005-18	Critique of Life	Henri Lefebvre	Print	Brian McBay
221A 153	Available	221A Collection 2005-18	Encyclopedia of Terrestrial Life Volume VIII	Barbican Art Gallery	Print	Jesse McKee
221A 154	Available	221A Collection 2005-18	Labyrinths	Jorge Luis Borges	Print	Sarah Todd
221A 155	Available	221A Collection 2005-18	Beyond the Black Rainbow: Music From the Original Motion Picture Soundtrack	Sinoia Caves	LP	Brian McBay (Alex Grunenfelder)
221A 156 REF	Reference	221A Collection 2005-18	Test print for Vancouver Especially (A Vancouver Special scaled to its property value in 1973, then increased by 8 fold) (2015)	Dennis Ha	Laminated Print	Brian McBay
221A 157	Available	221A Collection 2005-18	Abstract Art: Patterns and Designs	Ad. and M.P. Verneuil	Print	Jesse McKee
221A 158	Available	221A Collection 2005-18	Index Funds are Unamerican	Brady Cranfield, Jamie Hilder	Print	Brady Cranfield, Jamie Hilder
221A 159	Available	221A Collection 2005-18	Artscanada Issue no. 105, February 1967 the New Technology and the Arts	artscanada	Print	Jesse McKee
221A 160	Available	221A Collection 2005-18	A Manifesto Has Come to Light	Bogdan Cheta, Jillian Fleck and JD Mersault	Print	Jesse McKee
221A 161	Available	221A Collection 2005-18	Impressions: Journey Through an Earthly Paradise	Glenn Lewis	Print	Jesse McKee
221A 162	Available	221A Collection 2005-18	Mood Disorder	David Horvitz	Print	AE Benenson, Kristen Chappa
221A 163	Available	221A Collection 2005-18	Making Do process 3: Dialogues From Out of this World	Alexandre Coco, Andrea Francke, Mary Ikoniadou, Asli Kalinoglu	Print	Hyung-min Yoon
221A 164 REF	Reference	221A Collection 2005-18	Hon's Tableware	Hon's Wun-Tun House	Plastic, glass	Vincent Tao
221A 165 REF	Reference	221A Collection 2005-18	Wooden model of sculpture	Valérian Goalec	Wood	Sungpil Yoon
221A 166 REF	Reference	221A Collection 2005-18	XI Veronica Wipes the Face of Jesus, 2012 – 2015.	after Oliver Laric and the Lincoln collection	Plastic powder 3D print	AE Benenson, Kristen Chappa
221A 167 REF	Reference	221A Collection 2005-18	Vancouver Especially (A Vancouver Special scaled to its property value in 1973, then increased by 8 fold)	Ken Lum		Brian McBay
221A 168 REF	Reference	221A Collection 2005-18		Allison Yip	Painting	Allison Yip
221A 169 REF	Reference	221A Collection 2005-18	NOART Pooping Dog and Pooping Pig	Jin Hong	Drawing	221A
221A 170 REF	Reference	221A Collection 2005-18	NOART Pooping Dog	Drawing by Jin Hong Screen printed by Dylan Davies	Print	221A
221A 171	Available	221A Collection 2005-18	簡明漢英法律辭典 : A Concise Chinese-English Law Dictionary	H.C. Miu 繆雄洲	Print	Yuk Tim Eng
221A 172	Available	221A Collection 2005-18	Aby Warburg The Renewal of Pagan Antiquity: Contributions to the Cultural History of the European Renaissance	Introduction by Kurt W. Forster ; translation by David Britt	Print	Jesse McKee
221A 173	Available	221A Collection 2005-18	The documenta 14 Reader	Quinn Latimer, Adam Szymczyk (Editors)	Print	Vincent Tao
221A 174	Available	221A Collection 2005-18	documenta 14: Daybook	Quinn Latimer, Adam Szymczyk (Editors)	Print	Vincent Tao
221A 175	Available	221A Collection 2005-18	Tian sheng wo cai bi you yong 天生我才必有用	艾尔曼 (Ehrman, MK.)	Print	Sasha Bondartchouk
221A 176	Available	221A Collection 2005-18	221A Strategic Plan: 2015-2020	221A	Print	221A
221A 177 REF	Reference	221A Collection 2005-18	221A Envisions a Pluralistic Society Where People Have the Means to Make and Access Culture	221A, design by Jaz Halloran	Print	221A
221A 178 REF	Reference	221A Collection 2005-18	2 Times in 1 week	Life of a Craphead	Screen Print	Sean O'Neill
221A 179 REF	Reference	221A Collection 2005-18	Lectures I've Attended	Life of a Craphead	Screen Print	Sean O'Neill
221A 180 REF	Reference	221A Collection 2005-18	Life of a Craphead handmade magnets: durian, vinyl record player, and punctuation marks	Life of a Craphead	Magnets	Sean O'Neill
221A 181 REF	Reference	221A Collection 2005-18	TAX THE RICH	Jean Swanson for City Council	Print	221A
221A 182 REF	Reference	221A Collection 2005-18	Beyond Minimum: 1925, 248 SQ FT	Urban Subjects for Western Front	Print	221A
221A 183 REF	Reference	221A Collection 2005-18	Beyond Minimum: 1956, 614 SQ FT	Urban Subjects for Western Front	Print	221A
221A 184 REF	Reference	221A Collection 2005-18	Beyond Minimum: 1973-85, 398 SQ FT	Urban Subjects for Western Front	Print	221A
221A 185 REF	Reference	221A Collection 2005-18		Dan Starling	Print	221A
221A 186 REF	Reference	221A Collection 2005-18	Sad Sack	Dan Starling	Print	221A
221A 187 REF	Reference	221A Collection 2005-18	The Corruption of Time's Dust	Julian Hou	Print	221A
221A 188	Available	221A Collection 2005-18	terms of use: issue 1, december 2017	terms of use anonymous	Print	221A
221A 189 REF	Reference	221A Collection 2005-18	The Corruption of Time's Dust	Nadia Belerique	Carpet	Nadia Belerique
221A 191	Available	221A Collection 2005-18	¡el móndrigo! : Bitácora del Consejo Nacional de Huelga	Editorial Alba Roja, S.C. L. México, D.F. (Produced by RRD)	Print	RRD
221A 192	Available	221A Collection 2005-18	Pestimo	A.Contreras (Produced by RRD)	Print	RRD
221A 193	Available	221A Collection 2005-18	To Become Two: Propositions for Feminist Collective Practice	Alex Martinis Roe	Print	Bina Choi
221A 194	Available	221A Collection 2005-18	Drawn In Drawn Out: Studying the Commons	Casco	Print	Bina Choi
221A 195	Available	221A Collection 2005-18	Vancouver Anthology	Stan Douglas (Editor)	Print	221A
221A 196 REF	Reference	221A Collection 2005-18	Beckett's Typistt	lo wie \| Ryu Hankil	Print CD	221A
221A 197 REF	Reference	221A Collection 2005-18	Summer Breakfasts June - August 2012	Published by 221A	Print	221A
221A 198 REF	Reference	221A Collection 2005-18	Test print for Vancouver Especially (A Vancouver Special scaled to its property value in 1973, then increased by 8 fold) (2015)	Dennis Ha	Laminated Print	221A

Michelle Fu is a co-founder and the current Systems Designer at 221A. Previously she completed a degree in industrial design at Emily Carr University of Art and Design and worked in the environmental and communication design field, most recently in a management role at Cygnus Group where she developed comprehensive wayfinding systems for clientele such as ICBC, Cadillac Fairview, Civitas Urban Planning and Vancouver Coastal Health. Fu also worked at Emily Carr University managing the Audain Artist-in-Residence program, where she gained key insights into educational and international planning. She is currently on the Board of Directors for Artspeak and Unit/Pitt Projects. Fu contributes her experience working with institutional and governmental partners into 221A’s growing cultural infrastructure, including the development and implementation of financial, informational and technological systems.
Brian McBay is the Co-founder and Director of 221A, a non-profit organization that works with artists to research and develop infrastructure.
Sarah Todd is a curator currently living and working in Calgary, where she is an art curator and public programmer at the Glenbow Museum. She has previously worked at Western Front, InterAccess Electronic Media Arts Centre, XPACE Cultural Centre, and The Morris and Helen Belkin Art Gallery. She has recently produced exhibition projects with organizations including Vtape, Kunstverein München, The Goethe Institute, The Pacific Cinematheque, and The Illingworth Kerr Gallery. Sarah writes for a range of publications.
Bopha Chhay is the Director/Curator of Artspeak 2016–present.
Jesse McKee is the Head of Strategy at 221A, Vancouver, where he leads the programming and aligns the organization’s work with a strategic plan that develops and sustains self-organized infrastructures. Previously, he was the Curator of Walter Phillips Gallery, The Banff Centre and the Exhibitions Curator, Western Front, Vancouver. Independently, he curated Stopping the Sun in its Course, which looked at contemporary depictions of the grotesque at François Ghebaly Gallery in Los Angeles in 2015 and he was the co-curator of Vancouver Special: Ambivalent Pleasures, the inaugural edition of a civic triennial at the Vancouver Art Gallery in 2017. As a curatorial resident, he has worked with Things that can happen, Hong Kong and Tranzit.org, Romania. McKee served as a juror for the 2013 Sobey Art Award and was a member of the Canada Council for the Art’s Asia Pacific Delegation. He has written essays and reviews for Canadian Art, C Magazine, Fillip, Border Crossings and Kaleidoscope. A forthcoming catalogue essay, Surreal Ghosts and Neuroplastic Ancestors, focuses on Julia Feyrer and Tamara Henderson’s filmmaking, published by the Morris and Helen Belkin Art Gallery, University of British Columbia and Institute for Contemporary Art, University of Pennsylvania.
A.E. Benenson is a writer and curator based in New York interested in how the formal vocabulary of contemporary technology can revise the histories of art, materials, and politics. In 2013 he was a curatorial fellow of the Art and Law Program at Fordham Law School. He was the head curator of the 2014 Impakt Festival in Utrecht and is currently Associate Curator at the Artist’s Institute, New York City.
Kristen Chappa is a curator and writer based in Brooklyn, New York. She has organized exhibitions, performances, and public programs with Art in General (New York, New York), SculptureCenter (Long Island City, NY), The Lab (San Francisco, CA), the Vera List Center for Art and Politics (New York, NY), Volunteer Lawyers for the Arts (New York, NY), and the Wallach Art Gallery at Columbia University (New York, NY). Ms. Chappa has contributed texts to publications for the International Studio & Curatorial Program (ISCP), Performa, and SculptureCenter, and has written for periodicals including Art in America, Frieze, and Interventions Journal. She has served as a guest critic at MFA and residency programs including California College of the Arts, Hunter College, Parsons the New School for Design, Recess, SmackMellon, and Rutgers Mason Gross School of the Arts. Ms. Chappa holds a BFA from the Rhode Island School of Design and an MA from Columbia University’s Modern Art History: Critical and Curatorial Studies program.
Vincent Tao’s projects at 221A include Notes on Political Ecologies, N.O.P.E. 2016; Rereading Room: the Vancouver Women’s Bookstore, 2016; Parallax Study: The New Romantics, 2017; and Deep Blue Open Archive, 2017. Tao took part in documenta 14’s aneducation program at Under the Mango Tree—Sites of Learning, travelling to Kassel to present and workshop 221A’s educational programming. His independent research and organizing work concerns urban displacement and the right to the city. Prior to moving to Vancouver, Tao studied at McGill University in Montreal, where he was the outreach coordinator for a worker-run community kitchen.
Steffanie Ling is a writer, critic and editor of BARTLEBY REVIEW, a free and occasional pamphlet of art writing in Vancouver, and a curator at CSA Space. She occasionally converges popular media and art to perform cultural criticism and has published one book of minimal poems, Cuts of Thin Meat (Spare Room, 2015) and a collection of short prose, Nascar (Blank Cheque Press, 2016).
Alison Yip works in a range of media that engage and shift between various genres and styles of visual representation. Her focus moves between observing the everyday to evoking dreamlike atmospheres while always attending to issues of figuration. In recent years, the artist has produced a number of wall paintings that serve as a visual framework or scaffolding, echoing more broadly the fundamental concerns of painting.
Ron Tran is an artist who was born in Saigon, and currently lives and works in Vancouver. His practice incorporates sculpture, photography, video, performance and installation. He is invested in the social and political nature of space which he foregrounds through interruptive strategies and collaborative practices that engage the public and gallery. His work addresses shifting understandings of public and private space, and questions ideas of individual ownership. Tran studied at Emily Carr University and has participated in group and solo exhibitions in North America, Europe, and Asia. Tran participated in the 6th Berlin Biennale (2010). He was selected for the Kunstlerhaus Bethanien residency in Berlin (2014). He was awarded for Mayor’sArts Awards (2015). His work has been featured in Avant-Gardes of The 21st Century published by Phaidon Press (2013). Tran recently has been awarded a two year (2018-2019) Research and Creation grant from the Canada Council for the Arts to produce new work in Vietnam.
Richard Ibghy & Marilou Lemmens have developed a collaborative practice that combines a concise approach to the form and construction of the art object with a desire to make ideas visible. Spanning across multiple media, including video, performance and installation, their work explores the material, affective and sensory dimensions of experience that cannot be fully translated into signs or systems. For several years, they have examined the rationale upon which economic actions are described and represented, and how the logic of economy has come to infiltrate the most intimate aspects of life. Their work has been shown at the 27th Images Festival (Toronto, 2014), Manif d’art 7: Quebec City Biennial (Quebec City, 2014), La Filature, Scène Nationale (Mulhouse, France, 2013-14), Henie Onstad Kunstsenter (Høvikodden, Norway, 2013), Centre for Contemporary Arts (Glasgow, 2012), and the 10th Sharjah Biennial (Sharjah, UAE, 2011). Recent solo exhibitions include VOX – Centre de l’image contemporaine (Montreal, 2014), Trinity Square Video (Toronto, 2014), Monte Vista Projects (Los Angeles, 2012) and G Gallery (Toronto, 2012).
Born in Seoul, Hyung-Min Yoon studied Fine Art at Korean National University of Arts in Seoul (BFA) and Chelsea College of Art in London (MFA). Her work deals with everyday life and objects. Crossing different genres – installation, photography, video, etc. – she raises questions about perception of materialistic overabundance and seemingly insignificant matters. At first sight, Yoon’s work lures the spectator into a false sense of immediate understanding with its visual simplicity. At close observation, the viewer discovers that the banality overcomes its limitation and produces vestiges of itself, hence, a poem of the trivial.
Russell Baker is a sculptor-turned-furniture designer, who co-founded Bombast furniture, a boutique manufacturer of contemporary furniture based in Vancouver, BC. Prior to his retirement, from 1990 to 2016, Baker led a team of fabricators in producing an ever-expanding line of furniture. Marked by his engagement with the modernist legacy, Baker’s work has been recognized recently on display at the Canada House overlooking London’s Trafalgar Square.
Dan Starling creates artworks by juxtaposing different aesthetic traditions in order to produce contradictions that illuminate the unresolved antagonisms of our culture. Taking popular subjects as a starting point, his work plays with the formal conventions of narrative through intervention, extrapolation and reconfiguration to explore latent possibilities. Starling’s work is an effusive and eclectic approach to art, making use of all manner of media and genres. Having studied at the University of British Columbia, he went on to complete a BFA from Emily Carr University of Art and Design (2005) and a Meisterschüler from the Städelschule, Frankfurt (2011). Starling has recently exhibited his work at Tyler Wood Gallery, San Francisco. Starling lives in Vancouver.
Sungpil Yoon is the Site Manager at 221A. Prior to joining 221A, Sungpil completed a Bachelor’s degree in Art History at the University of British Columbia. Yoon is a Korean-born Canadian and is the founder and curator of Spare Room, a non-profit contemporary art organization located in Vancouver. Yoon is also the Co-Curator of VIVO Media Arts exhibitions and events. Yoon’s role at 221A involves the onsite property management of 222 E Georgia Street and 1654 Franklin Street, including direct involvement with tenant activities, contracts and inspections, communications and interfacing between tenants and administration at 221A.
Over the last decade, Barry Doupé has produced an acclaimed body of hand-drawn and computer-generated animated films. Shaped in part by experimental writing and drawing exercises, Doupé’s films are often characterized by fragmented and porous narrative structures, richly textured characters and surreal everyday situations. The artist has recently produced a series of digital drawings and animations using software developed for the Commodore Amiga, a computer that was first introduced in the mid- eighties and became the industry standard for graphics and animation. The resulting works revel in the capacities of this early technology to evoke both strange and nostalgic visual effects. Born in Victoria in 1982, Doupé holds a Bachelor of Media Arts from Emily Carr University of Art + Design, Vancouver. His films have been screened nationally and internationally at festivals and venues including the Ann Arbor Film Festival; International Film Festival Rotterdam; Anthology Film Archives, New York; Musée d’art contemporain de Lyon; Pleasure Dome, Toronto; MOCCA, Toronto; Whitechapel Gallery, London; Centre Pompidou, Paris; and Tate Modern, London. Recent exhibitions of his work have taken place at the Western Front, Vancouver, and Ghebaly Gallery, Los Angeles.
Antoni Oko’s practice is interested in painting and parallel analyses of the material nature and qualities of surface and colour. The artist has produced a significant series of paintings, large works on paper and artists’ books. The latter are cut and folded and resonate as familiar and intimate objects while gesturing, in some cases, at the forms and colours of well-known paintings, reconceived in three dimensions. Oko was born in 1977 in Poland and immigrated to Canada as a child. He holds a BA from the University of Toronto and studied at the Banff Centre.
Kari Cwynar (1985, Canada) is a curator and writer from Ottawa, Canada. She holds an MA from Carleton University, Ottawa and a BA from Queen’s University, Kingston, both in Art History. Currently she is the Curatorial Research Work Study with Kitty Scott at The Banff Centre, Banff, Canada. She recently worked with Scott on the exhibition À Ciel Ouvert at the Musée nationale des beaux-arts du Québec, Québec City (2012); this summer she will assist with The Retreat, a section of dOCUMENTA(13) taking place in Banff in August 2012. Previously Cwynar held positions at the National Gallery of Canada and the Ottawa Art Gallery. Recent exhibitions curated by Cwynar include Lynne Cohen Photographs from 1973 to 1978, The Banff Centre, Banff (2012); The Work Locates Itself, Columbia University, New York (2012); and The Collector’s Circle, The Banff Park Museum National Historic Site, Banff, (2012). She is currently preparing a mobile gallery in a truck for Open Engagement, Portland (2012), and has been invited to curate The Last Laugh at apexart, New York (2013). Cwynar has written about contemporary art for C Magazine, Canadian Art, and Color Magazine, among other publications, and was the winner of the 2011 C Magazine New Critics Competition. In November 2011, she was a participant in Independent Curators International’s Curatorial Intensive.
Brady Cranfield is an artist, musician and instructor based in Vancouver, with an avid and varied interest in sound and music. He is the founder and co-organizer (in collaboration with the artist Kathy Slade) of the ongoing public art project The Music Appreciation Society, and he frequently collaborates with artist Jamie Hilder on projects exploring the politics and culture of global capitalism. He has presented work at the Or Gallery, the Western Front, The Contemporary Art Gallery, The Charles H. Scott Gallery and Artspeak in Vancouver. He is also a member of the bands Womankind and Leviathans.
Jamie Hilder is a Los Angeles and Vancouver-based artist whose practice engages with issues surrounding economics, information, and urbanism. He completed his PhD in English at the University of British Columbia in 2010, where he wrote a dissertation on the International Concrete Poetry Movement’s relationship to an emerging global imaginary around the middle of the 20th century. He is currently a Social Sciences and Humanities Research Council of Canada Postdoctoral Fellow in the Graduate School of Education and Information Studies at the University of California, Los Angeles, where he is pursuing a project that draws connections between post-1970 economic theory and aesthetics. His visual work has been exhibited and published in North America and England. His critical writing has appeared in Contemporary Literature, Fillip, Yishu: Contemporary Chinese Art, Critical Survey, and in the recent edition of Rodney Graham’s The System of Landor’s Cottage: A Pendant to Poe’s Last Story.
Jade Niklai is a curator with specialist interests in contemporary art, architecture and design. She has fulfilled curatorial positions at the Museum of Modern Art, New York (2000-2001), the Ludwig Museum of Contemporary Art, Budapest (2002) and at London’s Architecture Foundation (2005-2007). She has also worked in the commercial sector as the founding director of a leading art dealership in Melbourne and as the first and only curator in Norman Foster’s 40-year architecture practice, Foster + Partners (2008-2009). Jade holds a BA in Art History from the Courtauld Institute of Art, University of London (2000) with a dissertation in performance art and Central Eastern European politics; and an MA in Art Curatorship from the School of Creative Arts, University of Melbourne (2004) with a thesis examining the museology of design. Born in Hungary, raised in Australia, educated and trained in England and America; Jade’s international background and professional outlook make her a strong believer that the arts motivate cultural diversity, tolerance and social integration. Jade works as Blood Mountain’s founding director since January 2010 and as a freelance writer (Flash Art US and Hungary) and juror/advisor (Esterhazy Stiftung, Eisenstadt and Budapest; and Apexart, New York: 2012). www.bloodmountain.org
Tom Sloan is an Australian-born industrial designer with built-work ranging from furniture, products, interior and lighting to architecture. He began as a product designer at Lab Architecture Studio in Melbourne (2000-2002), where he developed the furniture and interactive components of several art institutions comprising Federation Square: Australia’s largest cultural and civic precinct. Tom founded his first company in 2003 and has since worked independently and on behalf of various design practices. His position as Senior Designer at London’s Jason Bruges Studio (2006-2009) enabled him to design and deliver bespoke artworks and interactive design objects for clients including Veuve Cliquot, Established & Sons, BBC1, Nike, O2 and various property developers and architecture firms. Recent projects include the Origo bistro and restaurant in Budapest (voted the best new Hungarian interior of 2011), a new language learning facility at Monash University in Melbourne, new commission for Siemens for the 2012 London Olympics and the exhibition design for the artist-collective, lonelyfingers’ first exhibition at the Abteiberg Museum in Mönchengaldbach. With a BA in Industrial Design (RMIT University, Melbourne Australia, 1999), a strong work ethic and genuine belief that good design improves lives, Tom is an ardent believer in practical knowledge and private entrepreneurship. Tom is Blood Mountain’s co-founder and director of the board. http://www.tomsloan.net
Rebecca Bayer is a Vancouver-based artist and architectural designer. She is engaged in the production of public art projects, building design, community collaborations, as well as public space research and teaching appointments. Rebecca holds a M.Arch from the University of British Columbia, and a MFA from Central Saint Martins College of Art and Design. From 2008 to 2013, she worked at Bricault Design on residential, restaurant, and exhibition design projects in Vancouver, Los Angeles, and New York. In 2013 she became co-founder of spacemakeplace, an art and design studio. She teaches at Emily Carr University of Art and Design. She is currently part of ten fifteen maple, an artist residency at the City of Vancouver’s Hadden Park Field House.
Sasha Bondartchouk is an artist/writer working in Vancouver, Canada. She studied creative writing and literature at Douglas College and is currently beginning at Emily Carr University with a major in Critical and Cultural Practices. Her work includes mostly poetry, short experimental fiction, book-making and comics. Her poetry and short stories have appeared in EVENT magazine and PEARLS anthology. Her work is often informed by themes of cultural or gender identity, as well as science fiction, memory, and alternative systems or ideas around archiving, cataloguing and storage.
Nadia Belerique constructs installations that engage with the poetics of perception and asks how images perform in contemporary culture. Primarily invested in questions around materiality and dematerialization through the illusion of photographs, her image-based works are often interrupted by sculptural objects. She received her MFA from the University of Guelph, and has recently exhibited at such venues as Narwhal, Daniel Faria Gallery, XPACE, The Drake Hotel, and Diaz Contemporary in Toronto. She is part of an upcoming group show at the Kunsthalle Wein, Vienna in October 2014.