Collection 00
221A Collection 2005-18
Description
Since 2005, 221A has collected a body of critical texts and artists books that have shaped the organization’s public programming and advanced its original mandate to examine the role of design and art in the production of contemporary society.
Start year
2005
Contributors
- A.E. Benenson
- Alison Yip
- Antoni Oko
- Barry Doupé
- Bopha Chhay
- Brady Cranfield
- Brian McBay
- Dan Starling
- Hyung-min Yoon
- Jade Niklai
- Jamie Hilder
- Jesse McKee
- Joji Fukushima
- Kari Cwynar
- Kristen Chappa
- Michelle Fu
- Nadia Belerique
- Rebecca Bayer
- Richard Ibghy & Marilou Lemmens
- Ron Tran
- Russell Baker
- Sarah Todd
- Sasha Bondartchouk
- Steffanie Ling
- Sungpil Yoon
- Sydney Hart
- Tom Sloan
- Vincent Tao
Call No. | Status | Collection | Name | Produced by | Material | Time | Place | Subjects | Selected by | Media link |
|---|---|---|---|---|---|---|---|---|---|---|
| 221A 001 REF | Reference | 221A Collection 2005-18 | Poster: 221A Envisions a Pluralistic Society Where People Have the Means to Make and Access Culture | 221A, design by Jaz Halloran | 221A |  | ||||
| 221A 002 REF | Reference | 221A Collection 2005-18 | 221A's 2015-2020 Strategic Plan | Brian McBay, 221A Artist Run Centre Society | 221A |  | ||||
| 221A 003 REF | Reference | 221A Collection 2005-18 | Implementation Timeframe | 221A Artist Run Centre Society | 221A |  | ||||
| 221A 004 REF | Reference | 221A Collection 2005-18 | Priorities | 221A Artist Run Centre Society | 221A |  | ||||
| 221A 005 | Available | 221A Collection 2005-18 | SOCS 317 F001 Ergonomics II Usability Evaluation in Consumer Product Design | A Arnold | Brian McBay |  | ||||
| 221A 006 | Available | 221A Collection 2005-18 | Information for Artists: A practical guide for visual artists | Judith Stephens-Wells, Sarah Yates | Brian McBay |  | ||||
| 221A 007 | Available | 221A Collection 2005-18 | Building Construction Illustrated, Fourth edition | Francis D.K. Ching | Brian McBay |  | ||||
| 221A 008 | Available | 221A Collection 2005-18 | The Complete Guide to Nonprofit Management, Second Edition | Smith, Bucklin, and Associates, Inc. | Brian McBay |  | ||||
| 221A 009 | Available | 221A Collection 2005-18 | Artists in Offices | Judith Adler | Jesse McKee |  | ||||
| 221A 010 | Available | 221A Collection 2005-18 | DTES Local Area Plan | City of Vancouver | Brian McBay |  | ||||
| 221A 011 | Available | 221A Collection 2005-18 | Building United Judgement: A Handbook for Consensus Decision Making | Center for Conflict Resolution | Brian McBay |  | ||||
| 221A 012 | Available | 221A Collection 2005-18 | City of Vancouver Cultural Facilities Priorities Plan, Final Report | City of Vancouver | Brian McBay |  | ||||
| 221A 013 | Available | 221A Collection 2005-18 | The Practice of Everyday Life | Michel de Certeau | Sarah Todd |  | ||||
| 221A 014 | Available | 221A Collection 2005-18 | Feminists Theorize the Political | Judith Butler, Joan W. Scott | Brian McBay |  | ||||
| 221A 015 | Available | 221A Collection 2005-18 | The Communist Hypothesis | Alain Badiou | 221A |  | ||||
| 221A 016 | Available | 221A Collection 2005-18 | AHIS 420 Glossary of Terms Feminism and Social Change | Nancy Bleck | Brian McBay |  | ||||
| 221A 017 | Available | 221A Collection 2005-18 | Electrical Code Simplified House Wiring Guide | P.S. Knight | Brian McBay |  | ||||
| 221A 018 | Available | 221A Collection 2005-18 | Industrial Hose Catalogue 2009 | Green Line | Brian McBay |  | ||||
| 221A 019 | Available | 221A Collection 2005-18 | Sphinx Head | Jesse Russell, Ronald Cohn | AE Benenson, Kristen Chappa |  | ||||
| 221A 020 | Available | 221A Collection 2005-18 | Absolute Museum & Gallery Products | Absolute | 221A |  | ||||
| 221A 021 | Available | 221A Collection 2005-18 | The Gendered Circuit: Reading The Arcane of Reproduction | Maya Gonzales | Vincent Tao |  | ||||
| 221A 022 | Available | 221A Collection 2005-18 | Institution Building | Nikolaus Hirsch, Philipp Misselwitz, Markus Miessen, Matthias Görlich | Steffanie Ling |  | ||||
| 221A 023 | Available | 221A Collection 2005-18 | The Conspiracy of Art | Jean Baudrillard | Brian McBay |  | ||||
| 221A 024 | Available | 221A Collection 2005-18 | Bad News Days: Art, Criticism, Emergency | Hal Foster | Brian McBay |  | ||||
| 221A 025 | Available | 221A Collection 2005-18 | Spaces of Global Capitalism: Towards a Theory of Uneven Geographical Development | David Harvey | Brian McBay |  | ||||
| 221A 026 | Available | 221A Collection 2005-18 | Rebel Cities: From the Right to the City to the Urban Revolution | David Harvey | Brian McBay |  | ||||
| 221A 027 | Checked out | 221A Collection 2005-18 | The Art-Architecture Complex | Hal Foster | Brian McBay |  | ||||
| 221A 028 | Available | 221A Collection 2005-18 | After Modern Art 1945-2000 | David Hopkins | Michelle Fu |  | ||||
| 221A 029 | Available | 221A Collection 2005-18 | Transpositions | Rosi Braidotti | Brian McBay |  | ||||
| 221A 030 | Available | 221A Collection 2005-18 | Design and Crime (And Other Diatribes) | Hal Foster | Brian McBay |  | ||||
| 221A 031 | Available | 221A Collection 2005-18 | Semiotics: The Basics | Daniel Chandler | Brian McBay |  | ||||
| 221A 032 | Available | 221A Collection 2005-18 | Surrogacy | Jesse Russell, Ronald Cohn | AE Benenson, Kristen Chappa |  | ||||
| 221A 033 | Available | 221A Collection 2005-18 | A Companion to Marx's Capital | David Harvey | 221A |  | ||||
| 221A 034 | Available | 221A Collection 2005-18 | A Companion to Marx's Capital Volume 2 | David Harvey | 221A |  | ||||
| 221A 035 | Available | 221A Collection 2005-18 | The Story of Art | E.H. Gombrich | Michelle Fu |  | ||||
| 221A 036 | Available | 221A Collection 2005-18 | Logic: A Very Short Introduction | Graham Priest | Brian McBay |  | ||||
| 221A 037 | Available | 221A Collection 2005-18 | Poststructuralism: A Very Short Introduction | Catherine Belsey | Brian McBay |  | ||||
| 221A 038 | Available | 221A Collection 2005-18 | On Meaning-Making | Mieke Bal | Brian McBay |  | ||||
| 221A 039 | Available | 221A Collection 2005-18 | Marx Through Post-Structuralism | Lyotard, Derrida, Foucault, Deleuze | Brian McBay |  | ||||
| 221A 040 | Available | 221A Collection 2005-18 | Anti-Oedipus: Capitalism and Schizophrenia | Gilles Deleuze and Félix Guattari | Brian McBay |  | ||||
| 221A 041 | Available | 221A Collection 2005-18 | A Thousand Plateaus: Capitalism and Schizophrenia | Gilles Deleuze and Félix Guattari | Brian McBay |  | ||||
| 221A 042 | Available | 221A Collection 2005-18 | Vancouver Art and Artists 1931-1983 | The Vancouver Art Gallery | Brian McBay |  | ||||
| 221A 045 | Available | 221A Collection 2005-18 | Automatism (case law) | Jesse Russell, Ronald Cohn | AE Benenson, Kristen Chappa |  | ||||
| 221A 046 | Available | 221A Collection 2005-18 | Institutions by Artists: Volume 1 | J. Khonsary, K.L. Podesva, Fillip Editions, Pacific Association of Artist Run Centres | Brian McBay |  | ||||
| 221A 047 | Available | 221A Collection 2005-18 | Institutional Critique | Alexander Alberro, Blake Stimson | Brian McBay |  | ||||
| 221A 048 | Available | 221A Collection 2005-18 | Artists , Critics, Context: Readings in and Around American Art Since 1945 | Paul F. Fabozzi | Kyle Duske |  | ||||
| 221A 049 | Available | 221A Collection 2005-18 | Cultural Theory: The Key Concepts | Andrew Edgar, Peter Sedgwick | Brian McBay |  | ||||
| 221A 050 | Available | 221A Collection 2005-18 | Introducing Critical Theory | Stuart Sim, Borin Van Loon | Brian McBay |  | ||||
| 221A 051 | Available | 221A Collection 2005-18 | Scapegoat Issue 00 | Adrian Blackwell, Etienne Turpin | Brian McBay |  | ||||
| 221A 052 | Available | 221A Collection 2005-18 | Scapegoat Issue 01 Service | Jane Hutton, Etienne Turpin | Brian McBay |  | ||||
| 221A 053 | Available | 221A Collection 2005-18 | Scapegoat Issue 02 Materialism | Adam Bobbette, Jane Hutton | Brian McBay |  | ||||
| 221A 054 | Available | 221A Collection 2005-18 | Scapegoat Issue 03 Realism | Adrian Blackwell, Adam Bobbette | Brian McBay |  | ||||
| 221A 055 | Available | 221A Collection 2005-18 | Scapegoat Issue 06 Mexico DF/NAFTA | Irmgard Emmelhainz, Jane Hutton, Marcin Kedzior | Brian McBay |  | ||||
| 221A 056 | Available | 221A Collection 2005-18 | livedspace issue 0 | Bopha Chhay, Sydney Hart | Bopha Chhay |  | ||||
| 221A 057 | Available | 221A Collection 2005-18 | livedspace issue 1 | Bopha Chhay, Sydney Hart | Bopha Chhay |  | ||||
| 221A 058 | Available | 221A Collection 2005-18 | Cabinet Issue 27 Mountains | Sina Najafi, Jeffrey Kastner | Bopha Chhay |  | ||||
| 221A 059 | Available | 221A Collection 2005-18 | The Truth of Art, from e-flux Journal #71 | Boris Groys | Brian McBay |  | ||||
| 221A 060 | Available | 221A Collection 2005-18 | Constitution Act, 1982 Canadian Charter of Rights and Freedoms | The Government of Canada | Brian McBay |  | ||||
| 221A 061 | Available | 221A Collection 2005-18 | Spaces of Observation | Richard Ibghy, Marilou Lemmens | Mandy Ginson |  | ||||
| 221A 062 | Available | 221A Collection 2005-18 | Tools that Measure the Intensity of Passionate Interests | Richard Ibghy, Marilou Lemmens | Richard Ibghy, Marilou Lemmens |  | ||||
| 221A 063 | Available | 221A Collection 2005-18 | Pink Chanel suit of Jacqueline Bouvier Kennedy | Jesse Russell, Ronald Cohn | AE Benenson, Kristen Chappa |  | ||||
| 221A 064 | Available | 221A Collection 2005-18 | Watts Riots | Jesse Russell, Ronald Cohn | AE Benenson, Kristen Chappa |  | ||||
| 221A 065 | Available | 221A Collection 2005-18 | Making Do No. 1 the Translation Issue | Alexandre Coco, Andrea Francke, Mary Ikoniadou, Asli Kalinoglu | Hyung-min Yoon |  | ||||
| 221A 066 | Available | 221A Collection 2005-18 | Lignes Courbes 24 (1-8) | Valérian Goalec | Sungpil Yoon |  | ||||
| 221A 067 | Available | 221A Collection 2005-18 | Jackson Hole (Piracy Papers#1) | Michael Eddy, Grandpa Eddy | Hyung-min Yoon |  | ||||
| 221A 068 | Available | 221A Collection 2005-18 | The Future of the Image | Jacques Rancière | Brian McBay |  | ||||
| 221A 069 | Available | 221A Collection 2005-18 | Hertzian Tales: Electronic products, aesthetic experience, and critical design | Anthony Dunne | Brian McBay |  | ||||
| 221A 070 | Available | 221A Collection 2005-18 | Designing Mindful Interaction: The Category of Performative Object | Kristina Niedderer | Brian McBay |  | ||||
| 221A 071 | Available | 221A Collection 2005-18 | Do We Shape Technologies, or do They Shape Us? | Jean-Pierre Dupuy | Brian McBay |  | ||||
| 221A 072 | Available | 221A Collection 2005-18 | Communication and Imperialism | James Tully | Brian McBay |  | ||||
| 221A 073 | Available | 221A Collection 2005-18 | The Question Concerning Technology - Die Frage Nach der Technik | Martin Heidegger | Brian McBay |  | ||||
| 221A 074 | Available | 221A Collection 2005-18 | Industrial Design Insight: Seeing Technology in the Widest Sense | Barry Wylant | Brian McBay |  | ||||
| 221A 075 | Available | 221A Collection 2005-18 | An Aesthesia of Networks Conjunctive Experience in Art and Technology | Anna Munster | Brian McBay |  | ||||
| 221A 076 | Available | 221A Collection 2005-18 | The Postmodern Condition: A Report on Knowledge | Jean-François Lyotard | Brian McBay |  | ||||
| 221A 077 | Available | 221A Collection 2005-18 | Italy: The New Domestic Landscape Achievements and Problems of Italian Design | Emilio Ambasz | Russell Baker |  | ||||
| 221A 078 | Available | 221A Collection 2005-18 | The Post-Modern Object | Michael Collins, Peter Fuller, Volker Fischer, Charles Jencks, Hans Hollein | Brian McBay |  | ||||
| 221A 079 | Available | 221A Collection 2005-18 | SITE: Architecture as Art | Pierre Restany and Bruno Zevi | Jesse McKee |  | ||||
| 221A 080 | Available | 221A Collection 2005-18 | Casco Issues XII: Generous Structures | Binna Choi, Axel Wieder | Brian McBay |  | ||||
| 221A 081 | Available | 221A Collection 2005-18 | Flatland: A Romance of Many Dimensions | Edwin A. Abbott | Michelle Fu |  | ||||
| 221A 082 | Available | 221A Collection 2005-18 | Flatland: A Romance of Many Dimensions | Edwin A. Abbott | Michelle Fu |  | ||||
| 221A 083 | Available | 221A Collection 2005-18 | Some Vancouver Korean Churches | Julia Dahee Hong | Brian McBay |  | ||||
| 221A 084 | Available | 221A Collection 2005-18 | Real Estate Opportunities | Eric Doeringer | Brian McBay |  | ||||
| 221A 085 | Available | 221A Collection 2005-18 | Undoing Property? | Lewandowska, Ptak | Brian McBay |  | ||||
| 221A 086 | Available | 221A Collection 2005-18 | Toward an Architecture of Enjoyment | Henri Lefebvre | Brian McBay |  | ||||
| 221A 087 | Available | 221A Collection 2005-18 | Rhythmanalysis: Space, Time and Everyday Life | Henri Lefebvre | Vincent Tao |  | ||||
| 221A 088 | Available | 221A Collection 2005-18 | Communal Luxury: The Political Imaginary of the Paris Commune | Kristin Ross | Brian McBay |  | ||||
| 221A 089 | Available | 221A Collection 2005-18 | Militant and Particular: A Geographer's Response to Flexible Accumulation | David Harvey | Brian McBay |  | ||||
| 221A 090 | Available | 221A Collection 2005-18 | Too Close to See: Notes on Friendship, A Conversation with Johan Frederik Hartle | Céline Condorelli | Michelle Fu, Vincent Tao |  | ||||
| 221A 091 | Available | 221A Collection 2005-18 | One Place After Another: Site-Specific Art and Locational Identity | Miwon Kwon | Brian McBay |  | ||||
| 221A 092 | Available | 221A Collection 2005-18 | Vancouver Magazine September 2015, The Real Estate Issue | John Burns | Brian McBay |  | ||||
| 221A 093 | Available | 221A Collection 2005-18 | Canadian Art, Winter 2016 | Brian McBay | Brian McBay |  | ||||
| 221A 094 | Available | 221A Collection 2005-18 | Architecture on Display: On the History of the Venice Biennale of Architecture | Aaron Levy, William Menking | 221A |  | ||||
| 221A 095 | Available | 221A Collection 2005-18 | Land and Language | Nuuk Posse | Cassette tape | Jesse McKee |  | |||
| 221A 096 | Available | 221A Collection 2005-18 | Vuogádatheahtedilli ja hutkáivuoht Álggahus ságastallamii hutkáivuohta | Nils Oskal | Jesse McKee |  | ||||
| 221A 097 | Available | 221A Collection 2005-18 | In a Manner of Reading Design | Katja Gretzinger | Brian McBay |  | ||||
| 221A 098 | Available | 221A Collection 2005-18 | Design Issues Forms of Inquiry Volume XXVII Issue 1 | Bruce Brown, Richard Buchanan, Carl DiSalvo, Dennis P. Doordan, Kipum Lee, Victor Margolin, and Ramia Mazé | Brian McBay |  | ||||
| 221A 099 | Available | 221A Collection 2005-18 | Design is Invisible: Planning, Education, and Society | Lucius Burckhardt, Silvan Blumenthal, Martin Schmitz | Vincent Tao |  | ||||
| 221A 100 | Available | 221A Collection 2005-18 | Typopass | Judit Angel, Dóra Hegyi, Zsuzsa László | Brian McBay, Michelle Fu |  | ||||
| 221A 101 | Available | 221A Collection 2005-18 | Art Always Has its Consequences | Produced in collaboration with Subversive Film Festival | Brian McBay, Michelle Fu |  | ||||
| 221A 102 | Available | 221A Collection 2005-18 | Uncorporate Identity | Metahaven | Brian McBay |  | ||||
| 221A 103 | Available | 221A Collection 2005-18 | Extrastatecraft: The Power of Infrastructure Space | Keller Easterling | Sydney Hart |  | ||||
| 221A 104 | Available | 221A Collection 2005-18 | In the Midst of Things | Nigel Prince, Gavin Wade | Brian McBay |  | ||||
| 221A 105 | Available | 221A Collection 2005-18 | The Anti-Aesthetic: Essays on Postmodern Culture | Hal Foster | Brian McBay |  | ||||
| 221A 106 | Available | 221A Collection 2005-18 | Hippie Modernism: The Struggle for Utopia | Andrew Blauvelt | Jesse McKee |  | ||||
| 221A 107 | Available | 221A Collection 2005-18 | Fuse Magazine Do Less, Winter 2013-14 | Gina Badger, Mirjam Linschooten, Sameer Farooq, Chandra Bulucon, Sara Rozenberg | Brian McBay |  | ||||
| 221A 108 | Available | 221A Collection 2005-18 | Design and the Elastic Mind | Paola Antonelli | Brian McBay, Michelle Fu |  | ||||
| 221A 109 | Available | 221A Collection 2005-18 | The System of Objects | Jean Baudrillard | Brian McBay |  | ||||
| 221A 110 | Available | 221A Collection 2005-18 | State Space World | Henri Lefebvre | Brian McBay |  | ||||
| 221A 111 | Available | 221A Collection 2005-18 | The Situationists and the City | Tom McDonough | Brian McBay |  | ||||
| 221A 112 | Available | 221A Collection 2005-18 | The Situationist City | Simon Sadler | Brian McBay |  | ||||
| 221A 113 | Available | 221A Collection 2005-18 | Colouring Under the Vancouver Viaducts | Rebecca Bayer | Rebecca Bayer |  | ||||
| 221A 114 | Available | 221A Collection 2005-18 | Modern Architecture | Kenneth Frampton | Brian McBay |  | ||||
| 221A 115 | Available | 221A Collection 2005-18 | Design and Art. Documents of Contemporary Art | Alex Coles | Brian McBay |  | ||||
| 221A 116 | Available | 221A Collection 2005-18 | AC|DC Contemporary Art Contemporary Design | Jean-Pierre Greff | Brian McBay |  | ||||
| 221A 117 | Available | 221A Collection 2005-18 | Under Construction: Perspectives on Institutional Practice | Vanessa Joan Müller, Nicolaus Schafhausen | Sarah Todd |  | ||||
| 221A 118 | Available | 221A Collection 2005-18 | The Part of No Part | Dan Starling | Dan Starling |  | ||||
| 221A 119 | Checked out | 221A Collection 2005-18 | Artificial Hells: Participatory Art and the Politics of Spectatorship | Claire Bishop | Brian McBay |  | ||||
| 221A 120 | Available | 221A Collection 2005-18 | The Colours of Citizen Arar | Garry Neill Kennedy | Jesse McKee |  | ||||
| 221A 121 | Available | 221A Collection 2005-18 | It Takes Time | Ron Noganosh | Jesse McKee |  | ||||
| 221A 122 | Available | 221A Collection 2005-18 | Ecocore Issue #4 The G( )D Issue | Alessandro Bava | Jesse McKee |  | ||||
| 221A 123 | Available | 221A Collection 2005-18 | Momentarily: Learning from Mega-Events | Bik Van der Pol, Alissa Firth-Eagland and Urban Subjects | Brian McBay |  | ||||
| 221A 124 | Available | 221A Collection 2005-18 | After the Quake | Haruki Murakami | Brian McBay |  | ||||
| 221A 125 | Available | 221A Collection 2005-18 | Ecocore Issue #1 e-den Issue | Alessandro Bava, Amita Jo | Jesse McKee |  | ||||
| 221A 126 | Available | 221A Collection 2005-18 | Éléments, structure horizontale - 01, Elements, horizontal structure -01 | Valérian Goalec | Sungpil Yoon |  | ||||
| 221A 127 | Available | 221A Collection 2005-18 | Description for Other Things | Ryu Hankil | Print/CD | Hyung-min Yoon |  | |||
| 221A 128 | Available | 221A Collection 2005-18 | The Colors that Combine to Make White are Important | Barry Doupé | DVD | Vincent Tao |  | |||
| 221A 129 | Available | 221A Collection 2005-18 | Life and People | Barry Doupé | DVD | Vincent Tao |  | |||
| 221A 130 | Available | 221A Collection 2005-18 | Ponytail | Barry Doupé | DVD | Vincent Tao |  | |||
| 221A 131 | Available | 221A Collection 2005-18 | Bartleby Review Issues 21-40 | Steffanie Ling | Steffanie Ling |  | ||||
| 221A 132 | Available | 221A Collection 2005-18 | I got an A+ in Art and You can too | Tonik Wojtyra | Antoni Oko |  | ||||
| 221A 133 | Available | 221A Collection 2005-18 | Polyamorous Love Song | Jacob Wren | Michelle Fu |  | ||||
| 221A 134 | Available | 221A Collection 2005-18 | Bahuli Arcadia & Other Stories | Alte Povestiri (Simona and Ramona?) | Jesse McKee |  | ||||
| 221A 135 | Available | 221A Collection 2005-18 | Memoirs of a Hypnotist: 100 Days | Marcos Lutyens | Kari Cwynar |  | ||||
| 221A 136 | Available | 221A Collection 2005-18 | Otherings | Patrick Cruz | Patrick Cruz |  | ||||
| 221A 137 | Available | 221A Collection 2005-18 | Mime Radio | Benjamin Seror | Jesse McKee |  | ||||
| 221A 138 | Checked out | 221A Collection 2005-18 | State of Insecurity: Government of the Precarious | Isabell Lorey | Brian McBay |  | ||||
| 221A 139 | Available | 221A Collection 2005-18 | Towards a New Architecture | Le Corbusier | Brian McBay |  | ||||
| 221A 140 | Available | 221A Collection 2005-18 | The Uprising: On Poetry and Finance | Franco "Bifo" Berardi | Brady Cranfield, Jamie Hilder |  | ||||
| 221A 141 | Available | 221A Collection 2005-18 | Due to Injuries... | Brady Cranfield, Jamie Hilder | Brady Cranfield, Jamie Hilder |  | ||||
| 221A 142 REF | Reference | 221A Collection 2005-18 | Chicago Mercantile Exchange | 221A | Brady Cranfield, Jamie Hilder |  | ||||
| 221A 143 | Available | 221A Collection 2005-18 | Debt: The First 5000 Years | David Graeber | Vincent Tao |  | ||||
| 221A 144 REF | Reference | 221A Collection 2005-18 | Halving | Joji Fukushima | Joji Fukushima |  | ||||
| 221A 145 | Available | 221A Collection 2005-18 | Blood Mountain Foundation | Blood Mountain Foundation | Jade Niklai, Tom Sloan |  | ||||
| 221A 146 | Available | 221A Collection 2005-18 | A Kiss, A Hat, A Stamp | Diango Hernández | Jade Niklai, Tom Sloan |  | ||||
| 221A 147 | Available | 221A Collection 2005-18 | Gone to Croatan | Patrick Goddard | Jesse McKee |  | ||||
| 221A 148 | Available | 221A Collection 2005-18 | Operation Paperclip | Patrick Goddard | Jesse McKee |  | ||||
| 221A 149 | Available | 221A Collection 2005-18 | North & West | Jeff Wall | Jesse McKee |  | ||||
| 221A 150 | Available | 221A Collection 2005-18 | Symbols, Signs & Signets: A Pictorial Treasury with over 1350 Illustrations | Ernst Lehner | 221A |  | ||||
| 221A 151 | Available | 221A Collection 2005-18 | Great Architecture of the World | John Julius Norwich | 221A |  | ||||
| 221A 152 | Available | 221A Collection 2005-18 | Critique of Life | Henri Lefebvre | Brian McBay |  | ||||
| 221A 153 | Available | 221A Collection 2005-18 | Encyclopedia of Terrestrial Life Volume VIII | Barbican Art Gallery | Jesse McKee |  | ||||
| 221A 154 | Available | 221A Collection 2005-18 | Labyrinths | Jorge Luis Borges | Sarah Todd |  | ||||
| 221A 155 | Available | 221A Collection 2005-18 | Beyond the Black Rainbow: Music From the Original Motion Picture Soundtrack | Sinoia Caves | LP | Brian McBay (Alex Grunenfelder) |  | |||
| 221A 156 REF | Reference | 221A Collection 2005-18 | Test print for Vancouver Especially (A Vancouver Special scaled to its property value in 1973, then increased by 8 fold) (2015) | Dennis Ha | Laminated Print | Brian McBay |  | |||
| 221A 157 | Available | 221A Collection 2005-18 | Abstract Art: Patterns and Designs | Ad. and M.P. Verneuil | Jesse McKee |  | ||||
| 221A 158 | Available | 221A Collection 2005-18 | Index Funds are Unamerican | Brady Cranfield, Jamie Hilder | Brady Cranfield, Jamie Hilder |  | ||||
| 221A 159 | Available | 221A Collection 2005-18 | Artscanada Issue no. 105, February 1967 the New Technology and the Arts | artscanada | Jesse McKee |  | ||||
| 221A 160 | Available | 221A Collection 2005-18 | A Manifesto Has Come to Light | Bogdan Cheta, Jillian Fleck and JD Mersault | Jesse McKee |  | ||||
| 221A 161 | Available | 221A Collection 2005-18 | Impressions: Journey Through an Earthly Paradise | Glenn Lewis | Jesse McKee |  | ||||
| 221A 162 | Available | 221A Collection 2005-18 | Mood Disorder | David Horvitz | AE Benenson, Kristen Chappa |  | ||||
| 221A 163 | Available | 221A Collection 2005-18 | Making Do process 3: Dialogues From Out of this World | Alexandre Coco, Andrea Francke, Mary Ikoniadou, Asli Kalinoglu | Hyung-min Yoon |  | ||||
| 221A 164 REF | Reference | 221A Collection 2005-18 | Hon's Tableware | Hon's Wun-Tun House | Plastic, glass | Vincent Tao | | |||
| 221A 165 REF | Reference | 221A Collection 2005-18 | Wooden model of sculpture | Valérian Goalec | Wood | Sungpil Yoon |  | |||
| 221A 166 REF | Reference | 221A Collection 2005-18 | XI Veronica Wipes the Face of Jesus, 2012 – 2015. | after Oliver Laric and the Lincoln collection | Plastic powder 3D print | AE Benenson, Kristen Chappa |  | |||
| 221A 167 REF | Reference | 221A Collection 2005-18 | Vancouver Especially (A Vancouver Special scaled to its property value in 1973, then increased by 8 fold) | Ken Lum | Brian McBay |  | ||||
| 221A 168 REF | Reference | 221A Collection 2005-18 | Allison Yip | Painting | Allison Yip |  | ||||
| 221A 169 REF | Reference | 221A Collection 2005-18 | NOART Pooping Dog and Pooping Pig | Jin Hong | Drawing | 221A |  | |||
| 221A 170 REF | Reference | 221A Collection 2005-18 | NOART Pooping Dog | Drawing by Jin Hong Screen printed by Dylan Davies | 221A |  | ||||
| 221A 171 | Available | 221A Collection 2005-18 | 簡明漢英法律辭典 : A Concise Chinese-English Law Dictionary | H.C. Miu 繆雄洲 | Yuk Tim Eng |  | ||||
| 221A 172 | Available | 221A Collection 2005-18 | Aby Warburg The Renewal of Pagan Antiquity: Contributions to the Cultural History of the European Renaissance | Introduction by Kurt W. Forster ; translation by David Britt | Jesse McKee |  | ||||
| 221A 173 | Available | 221A Collection 2005-18 | The documenta 14 Reader | Quinn Latimer, Adam Szymczyk (Editors) | Vincent Tao |  | ||||
| 221A 174 | Available | 221A Collection 2005-18 | documenta 14: Daybook | Quinn Latimer, Adam Szymczyk (Editors) | Vincent Tao |  | ||||
| 221A 175 | Available | 221A Collection 2005-18 | Tian sheng wo cai bi you yong 天生我才必有用 | 艾尔曼 (Ehrman, MK.) | Sasha Bondartchouk |  | ||||
| 221A 176 | Available | 221A Collection 2005-18 | 221A Strategic Plan: 2015-2020 | 221A | 221A |  | ||||
| 221A 177 REF | Reference | 221A Collection 2005-18 | 221A Envisions a Pluralistic Society Where People Have the Means to Make and Access Culture | 221A, design by Jaz Halloran | 221A |  | ||||
| 221A 178 REF | Reference | 221A Collection 2005-18 | 2 Times in 1 week | Life of a Craphead | Screen Print | Sean O'Neill |  | |||
| 221A 179 REF | Reference | 221A Collection 2005-18 | Lectures I've Attended | Life of a Craphead | Screen Print | Sean O'Neill |  | |||
| 221A 180 REF | Reference | 221A Collection 2005-18 | Life of a Craphead handmade magnets: durian, vinyl record player, and punctuation marks | Life of a Craphead | Magnets | Sean O'Neill |  | |||
| 221A 181 REF | Reference | 221A Collection 2005-18 | TAX THE RICH | Jean Swanson for City Council | 221A |  | ||||
| 221A 182 REF | Reference | 221A Collection 2005-18 | Beyond Minimum: 1925, 248 SQ FT | Urban Subjects for Western Front | 221A |  | ||||
| 221A 183 REF | Reference | 221A Collection 2005-18 | Beyond Minimum: 1956, 614 SQ FT | Urban Subjects for Western Front | 221A |  | ||||
| 221A 184 REF | Reference | 221A Collection 2005-18 | Beyond Minimum: 1973-85, 398 SQ FT | Urban Subjects for Western Front | 221A |  | ||||
| 221A 185 REF | Reference | 221A Collection 2005-18 | Dan Starling | 221A |  | |||||
| 221A 186 REF | Reference | 221A Collection 2005-18 | Sad Sack | Dan Starling | 221A |  | ||||
| 221A 187 REF | Reference | 221A Collection 2005-18 | The Corruption of Time's Dust | Julian Hou | 221A | |||||
| 221A 188 | Available | 221A Collection 2005-18 | terms of use: issue 1, december 2017 | terms of use anonymous | 221A |  | ||||
| 221A 189 REF | Reference | 221A Collection 2005-18 | The Corruption of Time's Dust | Nadia Belerique | Carpet | Nadia Belerique |  | |||
| 221A 191 | Available | 221A Collection 2005-18 | ¡el móndrigo! : Bitácora del Consejo Nacional de Huelga | Editorial Alba Roja, S.C. L. México, D.F. (Produced by RRD) | RRD |  | ||||
| 221A 192 | Available | 221A Collection 2005-18 | Pestimo | A.Contreras (Produced by RRD) | RRD |  | ||||
| 221A 193 | Available | 221A Collection 2005-18 | To Become Two: Propositions for Feminist Collective Practice | Alex Martinis Roe | Bina Choi |  | ||||
| 221A 194 | Available | 221A Collection 2005-18 | Drawn In Drawn Out: Studying the Commons | Casco | Bina Choi |  | ||||
| 221A 195 | Available | 221A Collection 2005-18 | Vancouver Anthology | Stan Douglas (Editor) | 221A |  | ||||
| 221A 196 REF | Reference | 221A Collection 2005-18 | Beckett's Typistt | lo wie | Ryu Hankil | Print CD | 221A |  | |||
| 221A 197 REF | Reference | 221A Collection 2005-18 | Summer Breakfasts June - August 2012 | Published by 221A | Print | 221A |  | |||
| 221A 198 REF | Reference | 221A Collection 2005-18 | Test print for Vancouver Especially (A Vancouver Special scaled to its property value in 1973, then increased by 8 fold) (2015) | Dennis Ha | Laminated Print | 221A |  |
- Michelle Fu is a co-founder and the current Systems Designer at 221A. Previously she completed a degree in industrial design at Emily Carr University of Art and Design and worked in the environmental and communication design field, most recently in a management role at Cygnus Group where she developed comprehensive wayfinding systems for clientele such as ICBC, Cadillac Fairview, Civitas Urban Planning and Vancouver Coastal Health. Fu also worked at Emily Carr University managing the Audain Artist-in-Residence program, where she gained key insights into educational and international planning. She is currently on the Board of Directors for Artspeak and Unit/Pitt Projects. Fu contributes her experience working with institutional and governmental partners into 221A’s growing cultural infrastructure, including the development and implementation of financial, informational and technological systems.
- Brian McBay is the Co-founder and Director of 221A, a non-profit organization that works with artists to research and develop infrastructure.
- Sarah Todd is a curator currently living and working in Calgary, where she is an art curator and public programmer at the Glenbow Museum. She has previously worked at Western Front, InterAccess Electronic Media Arts Centre, XPACE Cultural Centre, and The Morris and Helen Belkin Art Gallery. She has recently produced exhibition projects with organizations including Vtape, Kunstverein München, The Goethe Institute, The Pacific Cinematheque, and The Illingworth Kerr Gallery. Sarah writes for a range of publications.
- Bopha Chhay is the Director/Curator of Artspeak 2016–present.
- Jesse McKee is the Head of Strategy at 221A, Vancouver, where he leads the programming and aligns the organization’s work with a strategic plan that develops and sustains self-organized infrastructures. Previously, he was the Curator of Walter Phillips Gallery, The Banff Centre and the Exhibitions Curator, Western Front, Vancouver. Independently, he curated Stopping the Sun in its Course, which looked at contemporary depictions of the grotesque at François Ghebaly Gallery in Los Angeles in 2015 and he was the co-curator of Vancouver Special: Ambivalent Pleasures, the inaugural edition of a civic triennial at the Vancouver Art Gallery in 2017. As a curatorial resident, he has worked with Things that can happen, Hong Kong and Tranzit.org, Romania. McKee served as a juror for the 2013 Sobey Art Award and was a member of the Canada Council for the Art’s Asia Pacific Delegation. He has written essays and reviews for Canadian Art, C Magazine, Fillip, Border Crossings and Kaleidoscope. A forthcoming catalogue essay, Surreal Ghosts and Neuroplastic Ancestors, focuses on Julia Feyrer and Tamara Henderson’s filmmaking, published by the Morris and Helen Belkin Art Gallery, University of British Columbia and Institute for Contemporary Art, University of Pennsylvania.
- A.E. Benenson is a writer and curator based in New York interested in how the formal vocabulary of contemporary technology can revise the histories of art, materials, and politics. In 2013 he was a curatorial fellow of the Art and Law Program at Fordham Law School. He was the head curator of the 2014 Impakt Festival in Utrecht and is currently Associate Curator at the Artist’s Institute, New York City.
- Kristen Chappa is a curator and writer based in Brooklyn, New York. She has organized exhibitions, performances, and public programs with Art in General (New York, New York), SculptureCenter (Long Island City, NY), The Lab (San Francisco, CA), the Vera List Center for Art and Politics (New York, NY), Volunteer Lawyers for the Arts (New York, NY), and the Wallach Art Gallery at Columbia University (New York, NY). Ms. Chappa has contributed texts to publications for the International Studio & Curatorial Program (ISCP), Performa, and SculptureCenter, and has written for periodicals including Art in America, Frieze, and Interventions Journal. She has served as a guest critic at MFA and residency programs including California College of the Arts, Hunter College, Parsons the New School for Design, Recess, SmackMellon, and Rutgers Mason Gross School of the Arts. Ms. Chappa holds a BFA from the Rhode Island School of Design and an MA from Columbia University’s Modern Art History: Critical and Curatorial Studies program.
- Vincent Tao’s projects at 221A include Notes on Political Ecologies, N.O.P.E. 2016; Rereading Room: the Vancouver Women’s Bookstore, 2016; Parallax Study: The New Romantics, 2017; and Deep Blue Open Archive, 2017. Tao took part in documenta 14’s aneducation program at Under the Mango Tree—Sites of Learning, travelling to Kassel to present and workshop 221A’s educational programming. His independent research and organizing work concerns urban displacement and the right to the city. Prior to moving to Vancouver, Tao studied at McGill University in Montreal, where he was the outreach coordinator for a worker-run community kitchen.
- Steffanie Ling is a writer, critic and editor of BARTLEBY REVIEW, a free and occasional pamphlet of art writing in Vancouver, and a curator at CSA Space. She occasionally converges popular media and art to perform cultural criticism and has published one book of minimal poems, Cuts of Thin Meat (Spare Room, 2015) and a collection of short prose, Nascar (Blank Cheque Press, 2016).
- Alison Yip works in a range of media that engage and shift between various genres and styles of visual representation. Her focus moves between observing the everyday to evoking dreamlike atmospheres while always attending to issues of figuration. In recent years, the artist has produced a number of wall paintings that serve as a visual framework or scaffolding, echoing more broadly the fundamental concerns of painting.
- Ron Tran is an artist who was born in Saigon, and currently lives and works in Vancouver. His practice incorporates sculpture, photography, video, performance and installation. He is invested in the social and political nature of space which he foregrounds through interruptive strategies and collaborative practices that engage the public and gallery. His work addresses shifting understandings of public and private space, and questions ideas of individual ownership. Tran studied at Emily Carr University and has participated in group and solo exhibitions in North America, Europe, and Asia. Tran participated in the 6th Berlin Biennale (2010). He was selected for the Kunstlerhaus Bethanien residency in Berlin (2014). He was awarded for Mayor’sArts Awards (2015). His work has been featured in Avant-Gardes of The 21st Century published by Phaidon Press (2013). Tran recently has been awarded a two year (2018-2019) Research and Creation grant from the Canada Council for the Arts to produce new work in Vietnam.
- Richard Ibghy & Marilou Lemmens have developed a collaborative practice that combines a concise approach to the form and construction of the art object with a desire to make ideas visible. Spanning across multiple media, including video, performance and installation, their work explores the material, affective and sensory dimensions of experience that cannot be fully translated into signs or systems. For several years, they have examined the rationale upon which economic actions are described and represented, and how the logic of economy has come to infiltrate the most intimate aspects of life. Their work has been shown at the 27th Images Festival (Toronto, 2014), Manif d’art 7: Quebec City Biennial (Quebec City, 2014), La Filature, Scène Nationale (Mulhouse, France, 2013-14), Henie Onstad Kunstsenter (Høvikodden, Norway, 2013), Centre for Contemporary Arts (Glasgow, 2012), and the 10th Sharjah Biennial (Sharjah, UAE, 2011). Recent solo exhibitions include VOX – Centre de l’image contemporaine (Montreal, 2014), Trinity Square Video (Toronto, 2014), Monte Vista Projects (Los Angeles, 2012) and G Gallery (Toronto, 2012).
- Born in Seoul, Hyung-Min Yoon studied Fine Art at Korean National University of Arts in Seoul (BFA) and Chelsea College of Art in London (MFA). Her work deals with everyday life and objects. Crossing different genres – installation, photography, video, etc. – she raises questions about perception of materialistic overabundance and seemingly insignificant matters. At first sight, Yoon’s work lures the spectator into a false sense of immediate understanding with its visual simplicity. At close observation, the viewer discovers that the banality overcomes its limitation and produces vestiges of itself, hence, a poem of the trivial.
- Russell Baker is a sculptor-turned-furniture designer, who co-founded Bombast furniture, a boutique manufacturer of contemporary furniture based in Vancouver, BC. Prior to his retirement, from 1990 to 2016, Baker led a team of fabricators in producing an ever-expanding line of furniture. Marked by his engagement with the modernist legacy, Baker’s work has been recognized recently on display at the Canada House overlooking London’s Trafalgar Square.
- Dan Starling creates artworks by juxtaposing different aesthetic traditions in order to produce contradictions that illuminate the unresolved antagonisms of our culture. Taking popular subjects as a starting point, his work plays with the formal conventions of narrative through intervention, extrapolation and reconfiguration to explore latent possibilities. Starling’s work is an effusive and eclectic approach to art, making use of all manner of media and genres. Having studied at the University of British Columbia, he went on to complete a BFA from Emily Carr University of Art and Design (2005) and a Meisterschüler from the Städelschule, Frankfurt (2011). Starling has recently exhibited his work at Tyler Wood Gallery, San Francisco. Starling lives in Vancouver.
- Sungpil Yoon is the Site Manager at 221A. Prior to joining 221A, Sungpil completed a Bachelor’s degree in Art History at the University of British Columbia. Yoon is a Korean-born Canadian and is the founder and curator of Spare Room, a non-profit contemporary art organization located in Vancouver. Yoon is also the Co-Curator of VIVO Media Arts exhibitions and events. Yoon’s role at 221A involves the onsite property management of 222 E Georgia Street and 1654 Franklin Street, including direct involvement with tenant activities, contracts and inspections, communications and interfacing between tenants and administration at 221A.
- Over the last decade, Barry Doupé has produced an acclaimed body of hand-drawn and computer-generated animated films. Shaped in part by experimental writing and drawing exercises, Doupé’s films are often characterized by fragmented and porous narrative structures, richly textured characters and surreal everyday situations. The artist has recently produced a series of digital drawings and animations using software developed for the Commodore Amiga, a computer that was first introduced in the mid- eighties and became the industry standard for graphics and animation. The resulting works revel in the capacities of this early technology to evoke both strange and nostalgic visual effects. Born in Victoria in 1982, Doupé holds a Bachelor of Media Arts from Emily Carr University of Art + Design, Vancouver. His films have been screened nationally and internationally at festivals and venues including the Ann Arbor Film Festival; International Film Festival Rotterdam; Anthology Film Archives, New York; Musée d’art contemporain de Lyon; Pleasure Dome, Toronto; MOCCA, Toronto; Whitechapel Gallery, London; Centre Pompidou, Paris; and Tate Modern, London. Recent exhibitions of his work have taken place at the Western Front, Vancouver, and Ghebaly Gallery, Los Angeles.
- Antoni Oko’s practice is interested in painting and parallel analyses of the material nature and qualities of surface and colour. The artist has produced a significant series of paintings, large works on paper and artists’ books. The latter are cut and folded and resonate as familiar and intimate objects while gesturing, in some cases, at the forms and colours of well-known paintings, reconceived in three dimensions. Oko was born in 1977 in Poland and immigrated to Canada as a child. He holds a BA from the University of Toronto and studied at the Banff Centre.
- Kari Cwynar (1985, Canada) is a curator and writer from Ottawa, Canada. She holds an MA from Carleton University, Ottawa and a BA from Queen’s University, Kingston, both in Art History. Currently she is the Curatorial Research Work Study with Kitty Scott at The Banff Centre, Banff, Canada. She recently worked with Scott on the exhibition À Ciel Ouvert at the Musée nationale des beaux-arts du Québec, Québec City (2012); this summer she will assist with The Retreat, a section of dOCUMENTA(13) taking place in Banff in August 2012. Previously Cwynar held positions at the National Gallery of Canada and the Ottawa Art Gallery. Recent exhibitions curated by Cwynar include Lynne Cohen Photographs from 1973 to 1978, The Banff Centre, Banff (2012); The Work Locates Itself, Columbia University, New York (2012); and The Collector’s Circle, The Banff Park Museum National Historic Site, Banff, (2012). She is currently preparing a mobile gallery in a truck for Open Engagement, Portland (2012), and has been invited to curate The Last Laugh at apexart, New York (2013). Cwynar has written about contemporary art for C Magazine, Canadian Art, and Color Magazine, among other publications, and was the winner of the 2011 C Magazine New Critics Competition. In November 2011, she was a participant in Independent Curators International’s Curatorial Intensive.
- Brady Cranfield is an artist, musician and instructor based in Vancouver, with an avid and varied interest in sound and music. He is the founder and co-organizer (in collaboration with the artist Kathy Slade) of the ongoing public art project The Music Appreciation Society, and he frequently collaborates with artist Jamie Hilder on projects exploring the politics and culture of global capitalism. He has presented work at the Or Gallery, the Western Front, The Contemporary Art Gallery, The Charles H. Scott Gallery and Artspeak in Vancouver. He is also a member of the bands Womankind and Leviathans.
- Jamie Hilder is a Los Angeles and Vancouver-based artist whose practice engages with issues surrounding economics, information, and urbanism. He completed his PhD in English at the University of British Columbia in 2010, where he wrote a dissertation on the International Concrete Poetry Movement’s relationship to an emerging global imaginary around the middle of the 20th century. He is currently a Social Sciences and Humanities Research Council of Canada Postdoctoral Fellow in the Graduate School of Education and Information Studies at the University of California, Los Angeles, where he is pursuing a project that draws connections between post-1970 economic theory and aesthetics. His visual work has been exhibited and published in North America and England. His critical writing has appeared in Contemporary Literature, Fillip, Yishu: Contemporary Chinese Art, Critical Survey, and in the recent edition of Rodney Graham’s The System of Landor’s Cottage: A Pendant to Poe’s Last Story.
- Jade Niklai is a curator with specialist interests in contemporary art, architecture and design. She has fulfilled curatorial positions at the Museum of Modern Art, New York (2000-2001), the Ludwig Museum of Contemporary Art, Budapest (2002) and at London’s Architecture Foundation (2005-2007). She has also worked in the commercial sector as the founding director of a leading art dealership in Melbourne and as the first and only curator in Norman Foster’s 40-year architecture practice, Foster + Partners (2008-2009). Jade holds a BA in Art History from the Courtauld Institute of Art, University of London (2000) with a dissertation in performance art and Central Eastern European politics; and an MA in Art Curatorship from the School of Creative Arts, University of Melbourne (2004) with a thesis examining the museology of design. Born in Hungary, raised in Australia, educated and trained in England and America; Jade’s international background and professional outlook make her a strong believer that the arts motivate cultural diversity, tolerance and social integration. Jade works as Blood Mountain’s founding director since January 2010 and as a freelance writer (Flash Art US and Hungary) and juror/advisor (Esterhazy Stiftung, Eisenstadt and Budapest; and Apexart, New York: 2012). www.bloodmountain.org
- Tom Sloan is an Australian-born industrial designer with built-work ranging from furniture, products, interior and lighting to architecture. He began as a product designer at Lab Architecture Studio in Melbourne (2000-2002), where he developed the furniture and interactive components of several art institutions comprising Federation Square: Australia’s largest cultural and civic precinct. Tom founded his first company in 2003 and has since worked independently and on behalf of various design practices. His position as Senior Designer at London’s Jason Bruges Studio (2006-2009) enabled him to design and deliver bespoke artworks and interactive design objects for clients including Veuve Cliquot, Established & Sons, BBC1, Nike, O2 and various property developers and architecture firms. Recent projects include the Origo bistro and restaurant in Budapest (voted the best new Hungarian interior of 2011), a new language learning facility at Monash University in Melbourne, new commission for Siemens for the 2012 London Olympics and the exhibition design for the artist-collective, lonelyfingers’ first exhibition at the Abteiberg Museum in Mönchengaldbach. With a BA in Industrial Design (RMIT University, Melbourne Australia, 1999), a strong work ethic and genuine belief that good design improves lives, Tom is an ardent believer in practical knowledge and private entrepreneurship. Tom is Blood Mountain’s co-founder and director of the board. http://www.tomsloan.net
- Rebecca Bayer is a Vancouver-based artist and architectural designer. She is engaged in the production of public art projects, building design, community collaborations, as well as public space research and teaching appointments. Rebecca holds a M.Arch from the University of British Columbia, and a MFA from Central Saint Martins College of Art and Design. From 2008 to 2013, she worked at Bricault Design on residential, restaurant, and exhibition design projects in Vancouver, Los Angeles, and New York. In 2013 she became co-founder of spacemakeplace, an art and design studio. She teaches at Emily Carr University of Art and Design. She is currently part of ten fifteen maple, an artist residency at the City of Vancouver’s Hadden Park Field House.
- Sasha Bondartchouk is an artist/writer working in Vancouver, Canada. She studied creative writing and literature at Douglas College and is currently beginning at Emily Carr University with a major in Critical and Cultural Practices. Her work includes mostly poetry, short experimental fiction, book-making and comics. Her poetry and short stories have appeared in EVENT magazine and PEARLS anthology. Her work is often informed by themes of cultural or gender identity, as well as science fiction, memory, and alternative systems or ideas around archiving, cataloguing and storage.
- Nadia Belerique constructs installations that engage with the poetics of perception and asks how images perform in contemporary culture. Primarily invested in questions around materiality and dematerialization through the illusion of photographs, her image-based works are often interrupted by sculptural objects. She received her MFA from the University of Guelph, and has recently exhibited at such venues as Narwhal, Daniel Faria Gallery, XPACE, The Drake Hotel, and Diaz Contemporary in Toronto. She is part of an upcoming group show at the Kunsthalle Wein, Vienna in October 2014.