Test Program
May—June 2018
Description
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Nulla vitae elit libero, a pharetra augue. Cum sociis natoque penatibus et magnis dis parturient montes, nascetur ridiculus mus. Aenean eu leo quam. Pellentesque ornare sem lacinia quam venenatis vestibulum. Donec id elit non mi porta gravida at eget metus.
Nulla vitae elit libero, a pharetra augue. Cum sociis natoque penatibus et magnis dis parturient montes, nascetur ridiculus mus. Aenean eu leo quam. Pellentesque ornare sem lacinia quam venenatis vestibulum. Donec id elit non mi porta gravida at eget metus. Nulla vitae elit libero, a pharetra augue. Cum sociis natoque penatibus et magnis dis parturient montes, nascetur ridiculus mus. Aenean eu leo quam. Pellentesque ornare sem lacinia quam venenatis vestibulum. Donec id elit non mi porta gravida at eget metus.
Documentation! Yas!
Gallery or Whatever You'd like to call this
A Title
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- Nullam quis risus eget urna mollis ornare vel eu leo.
- Donec ullamcorper nulla non metus auctor fringilla.
- Vestibulum id ligula porta felis euismod semper.
- Maecenas faucibus mollis interdum. Cras justo odio, dapibus ac facilisis in, egestas eget quam.
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Another Title Why not
More Content
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Video still from Deanna Bowen's 'sum of the parts: what can be named', 2010, 18 mins. Colour with sound, HD. Courtesy of the artist.
Acknowledgements
Cum sociis natoque penatibus et magnis dis parturient montes, nascetur ridiculus mus.
Territory Acknowledgement
221A acknowledges that the area called Vancouver is within the unceded Indigenous territories belonging to the Musqueam, Skxwú7mesh-ulh Úxwumixw (Squamish) and Tsleil-Watututh peoples. 221A recognizes that the colony of British Columbia was created through organized dispossession and colonial violence. 221A seeks to shift its organizational practices to work together with Indigenous people to end ongoing violence, disposession and displacement.
- Engaging with the history of textiles materially, Anne Low produces mysterious contemporary forms that speak to wider narratives around the impulse to individuate surface, object and self. The artist produces handwoven textiles that she presents in custom-made glass and wood cases. The works draw upon the distinct presence and autonomy of textiles and allude to some intimate or practical use, while their considered display methods position these as select objects warranting special care and attention. This line of investigation also speaks to the artist’s role in upholding and furthering unique orders of knowledge embedded within these traditional practices.
- Bopha Chhay is the Director/Curator of Artspeak 2016–present.