Charlene Vickers’ work investigates memory, territorial embodiment and cultural gesture as connections to her birthplace of Kenora, Ontario. Vickers, who is Anishinaabe from Wauzhushk Onigum First Nation, explores her Ojibwa identity through painting, sculpture, performance and video. In a recent series of watercolour and gouache paintings, Vickers references traditional porcupine quillwork techniques as formal rhythms … Continue reading Charlene Vickers